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BERLINALE 2020
February 20 – March 01, 2020
SIBERIA
in Berlinale Competition
Director ABEL FERRARA
with WILLEM DAFOE, DOUNIA SICHOV, SIMON MCBURNEY, CRISTINA CHIRIAC
Production: VIVO FILM with RAI CINEMA, MAZE PICTURES, PIANO
Director of Photography STEFANO FALIVENE
World Sales THE MATCH FACTORY
World Premiere February 24, 2020 – Berlinale Competition
Clint (Willem Dafoe) is a damaged man who has retreated to a wintry remote mountain cabin where he hopes to find serenity. He runs a modest cafe where the rare traveler or native of the region visits. But even in his relative isolation he cannot find peace nor escape. On a fateful evening, to confront himself, he begins a journey by dogsled to the world he once knew. He travels through dreams, memory and imagination in an attempt to find his true nature.
DIGGER
in Berlinale Panorama
Writer / Director GEORGIS GRIGORAKIS
with VAGELIS MOURIKIS, ARGYRIS PANDAZARAS, SOFIA KOKKALI
Production: HAOS FILM
Co-Production: LE BUREAU
Co-Production: THE GREEK FILM CENTER, ERT, FALIRO HOUSE, THE MATCH FACTORY, N-CODED PICTURES, FASSB, BLONDE
Director of Photography GIORGIS KARVELAS
World Sales THE MATCH FACTORY
World Premiere February 24, 2020 – Berlinale Panorama
A slow burning contemporary Western about a native farmer who lives and works alone in a farmhouse in the heart of a mountain forest in Northern Greece. For years now, he has been fighting with an expanding industrial Monster digging up the forest, disturbing the lush flora and threatening his property. Yet, the greatest threat comes with the sudden arrival of his young son, after a twenty year separation. They turn into enemies under one roof. Father and son confront each other head on, with nature as their only observer, a showdown that ultimately yields an unexpected redemption for both.
Press material: berlinale.de/de/presse/presseservice/service.html
for further information: pm/berlinale2020.html
ENFANT TERRIBLE
Genre Drama
Director OSKAR ROEHLER
Screenplay KLAUS RICHTER, OSCAR ROEHLER
Cast OLIVER MASUCCI, KATJA RIEMANN, HARY PRINZ, ANTON RATTINGER, FELIX HELLMANN, ERDAL YILDIZ,
JOCHEN SCHROPP, SUNNYI MELLES und ISOLDE BARTH
Producer MARKUS ZIMMER
Production Bavaria Filmproduktion GmbH in co-production with X Filme Creative Pool
Co-Production WDR, BR, ARTE
Language German
In his new and excitedly awaited feature film, ENFANT TERRIBLE, Germany’s star director Oskar Roehler dedicates himself to one of the greatest icons of German cinema in the second half of the 20th century, Rainer Werner Fassbinder, interpreting the life and impact of this cinematic legend in artistically innovative form.
CANNES FILM FESTIVAL 2019
May 14 – 25, 2019
TOMMASO
Writer & Director ABEL FERRARA
Main Cast WILLEM DAFOE, CRISTINA CHIRIAC, ANNA FERRARA
Director of Photography PETER ZEITLINGER
Music JOE DELIA
Editor FABIO NUNZIATA
Producers LAURA BUFFONI, MICHAEL WEBER, SIMONE GATTONI, CHRISTOS KONSTANTAKOPOULOS
Production SIMILA(R), FALIRO HOUSE
Co-Production VIVO FILM, in association with WASHINGTON SQUARE FILMS
World Sales THE MATCH FACTORY
World Premiere May 20, 2019 – Cannes Official Selection out of Competition Special Screening
TOMMASO is the story of an American artist living in Rome with his young European wife Nikki and their 3-year-old daughter, Dee Dee. A work concerning imagination.
Their relationship is in turmoil and Tommaso must come to terms with his wife’s desire to change the rules of their marriage. This change between Tommaso and his wife is set against his simple day to day life in Rome; as a student taking Italian classes, as a teacher working with young acting students, his dealings with the local markets and bars, and most importantly his relationship and the pure love he feels for his young daughter and she for him.
His artistic temper however brings another dynamic to the film. There is the world and the world that exists in Tomasso’s imagination, which especially concerns and impacts Nikki and the other women in his sphere of influence. He is a buddhist with active visions of the passion of the Christ as well as an ex-addict and alcoholic in active recovery, all in a city he calls home but is still foreign with the language and his ability to communicate a struggle. The drama builds from this idea of reality and imagination, and resolves in the discovery of what he and Nikki really want, need from and are capable of giving each other and their family.
for further information: pm/cannes2019.html
BERLINALE 2019
February 7 – 17, 2019
KIZ KARDESLER (A TALE OF THREE SISTERS)
Berlinale Competition (World Premiere)
Writer & Director EMIN ALPER (“Frenzy” Venice 2015)
with CEMRE EBÜZZİYA, ECE YÜKSEL, HELİN KANDEMİR, KAYHAN AÇIKGÖZ,
MÜFİT KAYACAN, KUBİLAY TUNÇER, HİLMİ ÖZÇELİK, BAŞAK KIVILCIM ERTANOĞLU
Producers NADIR ÖPERLI, MUZAFFER YILDIRIM
Co-Producers JONAS DORNBACH, JANNINE JACKOWSKI, MAREN ADE, STIENETTE BOSKLOPPER, YORGOS TSOURGIANNIS, LISETTE KELDER, ENIS KÖSTEPEN
Associate Producers ALEXANDER BOHR, NIKOS MOUTSELOS, ENGIN PALABIYIK
Director of Photography EMRE ERKMEN
World Sales THE MATCH FACTORY
World Premiere February 11, 2019 – Berlinale Competition
A TALE OF THREE SISTERS tells the story of three sisters from a poor village in Central Anatolia. The girls were adopted by affluent families as foster children (in Turkish ‘besleme’) in the hope of improving their lives. However, all three are forced to return to the village due to unforseen circumstances.
When Reyhan (Cemre Ebüzziya) returns home pregnant, her father Şevket (Müfit Kayacan) hastily marries her off to the poor village shepherd Veysel (Kayhan Açikgöz), who is being treated with contempt not only in the village, but also in Şevket’s (Müfit Kayacan) home. Havva (Helin Kandemir) comes back after the sad but inevitable death of her foster-brother, who has been fighting a terminal illness. A few days after Havva’s (Helin Kandemir) return, Nurhan (Ece Yüksel) is brought back to the village by her foster-father Necati (KUBİLAY TUNÇER). For the first time in years, Reyhan (Cemre Ebüzziya), Havva (Helin Kandemir) and Nurhan (Ece Yüksel) are reunited. Şevket’s (Müfit Kayacan) greatest challenge is to persuade Necati (KUBİLAY TUNÇER) to take Havva (Helin Kandemir) as ‘besleme’ into his home following Nurhan’s (Ece Yüksel) departure. With the help of the village mayor, he puts pressure on Necati (KUBİLAY TUNÇER). Veysel (Kayhan Açikgöz), who also has an agenda to leave as he despises being a shepherd, asks Necati (KUBİLAY TUNÇER) for a job that will take him out of the village.
As the three sisters negotiate their new yet familiar surroundings and relationships, Şevket (Müfit Kayacan), Necati (KUBİLAY TUNÇER) and Veysel (Kayhan Açikgöz) gather around a dinner table, all of which results in a series of unexpected clashes.
Press material: berlinale.de/de/presse/presseservice/service.html
for further information: pm/berlinale2019.html
CANNES FILM FESTIVAL 2018
May 8 – 19, 2018
BERGMAN – A Year in a Life
Director JANE MAGNUSSON
Cinematographer EMIL KLANG
Editor HANNA LEJONQVIST
Head of Research HENRIK VON SYDOW
Assistant Researcher ERIK GALLI
Producers MATTIAS NOHRBORG, CECILIA NESSEN, FREDRIK HEINIG
Production B-REEL FILMS
in Co-Production SVT, SF STUDIOS, GOTLAND’S FILM FUND, FILM CAPITAL STOCKHOLM FUND, NORDSVENSK FILMUNDERHALLNING, REEL VENTURES and MOTLYS
with support from THE SWEDISH FILM INSTITUTE, THE NORWEGIAN FILM INSTITUTE, NORDISK FILM & TV FOND and CREATIVE EUROPE
World Sales THE MATCH FACTORY
World Premiere May 12, 2018 – Official Selection Cannes Classics
Short synopsis: Award-winning Swedish director Jane Magnusson gives the most complete picture of Bergman, with a focus on 1957, the year when his two iconic pictures THE SEVENTH SEAL and WILD STRAWBERRIES premiered.
for further information: LINE UP CANNES 2018
THE HOUSE THAT JACK BUILT
Regie LARS VON TRIER
mit MATT DILLON, UMA THURMAN, BRUNO GANZ, RILEY KEOUGH
Produktion LOUISE VESTH für ZENTROPA GROUP
in Co-Produktion mit FILM I VÄST, COPENHAGEN FILM FUND, SLOT MACHINE
mit Unterstützung von DANISH FILM INTISTITUTE, NORDISK FILM & TV FOND, CENTRE NATIONAL DU CINEMA ET DE L’IMAGE ANIMÉE, FILM- UND MEDIENSTIFTUNG NRW, EURIMAGES, THE MEDIA PROGRAMME DER EUROPÄISCHEN UNION und in Kooperation mit DR, SVT
Weltvertrieb TRUST NORDISK
Deutscher Verleih CONCORDE FILM
Pressebetreuung nur für deutsche Presse
Publicity for german press only
World Premiere May 14, 2018 – Official Selection Out of Competition
Short synopsis: In seinem neusten Film erzählt Lars von Trier die Geschichte eines hochintelligenten Serienkillers namens Jack (Matt Dillon) im Zeitraum von zwölf Jahren aus dessen Perspektive. Jack betrachtet jeden einzelnen seiner Morde als Kunstwerk und tauscht sich mit seinen Gedanken regelmäßig mit dem mysteriösen Verge (Bruno Ganz) aus. Während die Polizei dem Killer über die Jahre immer dichter auf den Fersen ist, geht Jack immer größere Risiken ein, denn er ist noch nicht zufrieden mit seinem Werk…
for further information: LINE UP CANNES 2018
EL MOTOARREBATADOR (THE SNATCH THIEF)
Writer / Director AGUSTIN TOSCANO („Los Duenos“ Cannes 2013)
with SERGIO PRINA, LILIANA JUAREZ, LEON ZELARRAYAN, DANIEL ELIAS, PILAR BENITEZ VIBART AND MIRELLA PASCURAL
Director of Photography ARAUCO HERNANDEZ HOLZ
Editor PABLO BARBIERI
Production RIZOMA, MURILLO CINE
in coproduction with ORIENTAL FEATURES PRODUCERS NATACHA CERVI, HERNAN MUSALUPPI, GEORGINA BAISCH, CECILIA SALIM
Co-Producers DIEGO RUBINO PICON, SANTIAGO LOPEZ
Associated Producer LAURENT LAVOLE (Gloria Films)
Supported by INCAA, ICAU, PROGRAMA IBERMEDIA, GOBIERNO DE TUCUMAN
World Sales THE MATCH FACTORY
World Premiere May 15, 2018 – Quinzaine des Realisateurs
Short synopsis: When Miguel, a motorbike robber, snatches the purse from an old woman, he ends up injuring her badly. Unable to forget about his victim, the young man is looking for a way to ease his guilt.
for further information: LINE UP CANNES 2018
IN MY ROOM
Writer / Director ULRICH KÖHLER
with HANS LÖW, ELENA RADONICICH, MICHAEL WITTENBORN, EMMA BADING, KATHRIN RESETARITS
Cinematographer PATRICK ORTH
Editor LAURA LAUZEMIS
Production PANDORA FILM PRODUCTION
in Co-Production with ECHO FILM and WDR, ARTE
Producers CHRISTOPH FRIEDEL, CLAUDIA STEFFEN
Co-Producers KATRIN SCHLÖSSER, MAJA WIESER BENEDETTI, ANDREAS PICHLER
Supported by FILM- UND MEDIENSTIFTUNG NRW, FFA, BKM, MEDIENBOARD BERLIN-BRANDENBURG, DFFF, HESSISCHE FILMFÖRDERUNG and IDM SÜDTIROL
World Sales THE MATCH FACTORY
Deutscher Verleih PANDORA FILM
Pressebetreuung nur für internationale Presse
Publicity for international press only
World Premiere May 17, 2018 – Official Selection Un Certain Regard
Short synopsis: Armin is getting too old for his night life habits and the woman he likes. He’s not really happy, but can’t picture living a different life. One morning he wakes up: the world looks the same as always, but mankind has disappeared. A film about the frightening gift of maximum freedom.
for further information: LINE UP CANNES 2018
BERLINALE 2018
February 15 – 25, 2018
THE HAPPY PRINCE
Writer / Director RUPERT EVERETT
with RUPERT EVERETT as Oscar Wilde, COLIN FIRTH, EDWIN THOMAS, COLIN MORGAN,
EMILY WATSON, TOM WILKINSON, BEATRICE DALLE, JOHN STANDING
Director of Photography JOHN CONROY
Prodution Designer BRIAN MORRIS
Costume Designers MAURIZIO MILLENOTTI and GIANNI CASALNUOVO
Producers SÉBASTIEN DELLOYE, PHILIPP KREUZER, JÖRG SCHULZE
Co-Producers CARLO DEGLI ESPOSTI, NICOLA SERRA, FRANK EVERS
Production MAZE PICTURES, ENTRE CHIEN ET LOUP
in Co-Production with PALOMAR, CINE PLUS FILMPRODUKTION, TELE MÜNCHEN GRUPPE, PROXIMUS, RTBF
in Assocation with BBC FILMS, LIONS GATE UK, MOVIEMANAGEMENT CORPORATION, DARYL PRINCE PRODUCTIONS, ZIELKE, STRAT & GO INTERNATIONAL and RAINDOG FILMS
supported by FILMFERNSEHFONDS BAYERN, GERMAN FEDERAL FILM FUND DFFF, GERMAN FEDERAL FILM BOARD FFA, EURIMAGES, TAX SHELTER OF THE FEDERAL GOVERNMENT OF BELGIUM, LA WALLONIE, CENTRE DU CINÉMA ET DE L’AUDIOVISUEL DE LA FÉDÉRATION WALLONIE-BRUXELLES, RÉGION DE BRUXELLES-CAPITALE, ITALIAN TAX CREDIT
World Sales BETA CINEMA
International Premiere February 17, 2018 – Berlinale Special Gala
German Release May 24, 2018 by Concorde Filmverleih
In a cheap Parisian hotel room Oscar Wilde lies on his death bed and the past floods back, transporting him to other times and places. Was he once the most famous man in London? The artist crucified by a society that once worshipped him? The lover imprisoned and freed, yet still running towards ruin in the final chapter of his life? Under the microscope of death he reviews the failed attempt to reconcile with his long suffering wife Constance, the ensuing reprisal of his fatal love affair with Lord Alfred Douglas and the warmth and devotion of Robbie Ross who tried and failed to save him from himself. From Dieppe to Naples to Paris freedom is elusive and Oscar is a penniless vagabond, always moving on, shunned by his old acquaintance, but revered by a strange group of outlaws and urchins to whom he tells the old stories – his incomparable wit still sharp. THE HAPPY PRINCE is a portrait of the dark side of a genius who lived and died for love in the last days of the nineteenth century.
further information in german: thehappyprince-berlinale.html
LA TERRA DELL’ABBASTANZA (BOYS CRY)
Directors DAMIANO D’INNOCENZO / FABIO D’INNOCENZO
Story and screenplay D’INNOCENZO BROTHERS
with ANDREA CARPENZANO, MATTEO OLIVETTI, MILENA MANCINI, MAX TORTORA, LUCA ZINGARETTI
Produced by AGOSTINO GIUSEPPE E MARIA GRAZIA SACCÀ
Executive Producer IVAN D’AMBROSIO
Production PEPITO PRODUZIONI
Co-production RAICINEMA
with support of MIBACT, REGIONE LAZIO
Cinematographer PAOLO CARNERA
Music by TONI BRUNA
Film editing by MARCO SPOLETINI
World Sales THE MATCH FACTORY
World Premiere February 20, 2018 – Berlinale Panorama
Mirko and Manolo are best friends and live in the suburbs of Rome. They both live in poor conditions with their single parents, are still in school and struggle with occasional odd jobs to make ends meet. Together they share dreams of women, of sex and money, of a better life to come.
After killing a man in a hit-and-run one night, they get involved with the local mafia and their lives change dramatically. Soon they find themselves doing the dirty work for their new bosses and have fresh blood on their hands. But lured by the dreams of easy money and illusions of a thriving career, they fail to realize the consequences of their choice.
Life in the underworld becomes exceedingly tough and Mirko and Manolo soon disconnect from family and former friends as they engage on a downward spiral, a pathway towards darkness.
for further information: pm/berlinale2018-international.html
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